A.C.A.B.: All Cops Are Bastards (2012)

A.C.A.B.: All Cops Are Bastards (2012) HD Movie Free Download And Watch Online 

A.C.A.B.: All Cops Are Bastards Movie Storyline : Cobra, Negro and Mazinger are cops and 'brothers' in stages along the streets and squares around the 'clean up' days and Sundays by ultras in surplus from illegal eviction from, from criminals and prostitutes. (Co) caught between the logic of the state and the hatred of the community, the police department's Mobile absorbed doses to produce anger and legalized violence against violence blind supporters of stones and knives. Men disliked, dismissed husbands, fathers, inadequate, Cobra, Negro and Mazinger try to forget the painful private in public, hitting hard those who threaten the order and the nation. Inside the uniform and behind the visor look miserable and misery of the world who live without the intention but that of tyranny and oppression. Undermined by 'Genoese ships' and the lost soul in the Diaz school, six years later seek redemption in action and education to the brotherhood of a young agent individualistic and rebellious. Spina, excited by the blood and started with the tear, followed by the elderly on the border, deciding for themselves and the uniform you wear one day less rapid . On the way are the elder brothers. Besieged by darkness, wielding the baton, and raise the shields, dispersing the shadows and driving away the ghosts. Struck down on the sidewalk of Magliana fascinatingly hungry criminals De Cataldo, Stefano Sollima 'stores' and the television debut at the cinema with a film that produces a displacement and circulates more visions. Deeply dark, ubiquitous and pervasive, ACAB carefully the prevailing taste, opening a gash, subjective, partial, ideological, aesthetic, and everything you want, on a dumb reality otherwise. Unlike the police of domestic and domesticated districts Mediaset or teams Rai, the 'guards' Sollima born by the people and the Roman suburbs, abandoned the foreign criminals who turn off the lights tolerance and the desire of their own justice. Released by the investigation and pages of Carlo Bonini, a journalist of the newspaper "la Repubblica", the cops of ACAB is an incandescent mass of human energy, a body unable to cope with loneliness in the public and private relationship with the non-authoritarian ' other.

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Sollima not intended to, and is careful not to create any myth, while using, even unknowingly, materials mythological legacy. The cops Nigro, Favino and Giallini are essentially warriors, fighters loyal to a code (and a department) and closed in a sculptural psyche that can not dispel the shadows of a barbaric and radical thinking. If you short stories and genre film director tries to read the reality beneath the skin and behind the visor, giving us a glimpse of Italian life as much realism and better than overt. ACAB intervenes harshly about social problems, playing with fiction, but making sure not to cover the paint with the reality of stereotypes. Sollima identifies in the book of the same name Bonini a structure strong start, a new point of view and frankly unthinkable in our country and in our film, pointing out that hell is never (only ) where you see the fire and flames, and that the blood is never more terrible (only) what we would see. The protagonists of ACAB , unlike the bandits Magliana second Placido , do not suffer the whims of former sacrificial and romantic poor children to recall in flashback. Within the set and costumes (public policy) that you do not 'feel' anything, encouraging the vision and conviction that what we see, the characters in blue, blue and crimson live in a violent society that 'sfratta' the superfluous, the ugly, the weak and asks them to be anything but immune to the performers.

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Because not all cops are violent and addicted to repression but likewise are scarce antibodies capable of dealing deviations are always possible in a profession like that of the delicate and irritable mobile units. The camera shows silent tension and stress that the actors 'agents' are living in far too many situations, restrained by legislative frameworks always ambiguous in the original model of the armed wing of the power and prevented from governments, without exception, to insert the direction of body state as guarantor of rights. Sollima, without forgetting or discounting the black mindset that operating structure, which has sunk roots in a young Republic forced to deal with a nearly complete continuity of the fascist police, blamed men and puts in place deprecated, poorly paid, poorly trained and equipped anything, it must act immediately, focusing on the effectiveness of democratic values. Out there in the hierarchical control is loosened and the men are left alone with the fear of an 'enemy within' and 'freedom of action to do evil, to hurt, getting hurt.
A.C.A.B.: All Cops Are Bastards Movie Plot : The film focuses on the life of a group of riot control force policemen and their life coping with 'cleansing' stadiums from Ultras, public demonstrations, evictions and everyday family life.

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Release date: 27 January 2012
User Votes: 6.8
Runtime: 90 minutes
Genres: Action | Crime | Drama
Country: Italy | France
Language: Italian
Filming Locations: Rome, Lazio, Italy
Production Co: Cattleya, Babe Film, Rai Cinema
Box Office :
Budget:$5,000,000 (estimated)
Gross:€2,930,549 (Italy) (13 March 2012)

A.C.A.B.: All Cops Are Bastards

Produced by: Marco Chimenz, Giovanni Stabilini, Riccardo Tozzi
Screenplay by: Barbara Petronio, Daniele Cesarano, Leonardo Valenti
Director: Stefano Sollima
Writers: Carlo Bonini (book), Daniele Cesarano (screenplay)
Cast :
Pierfrancesco Favino: Cobra
Filippo Nigro: Negro
Marco Giallini: Mazinga
Andrea Sartoretti: Carletto
Domenico Diele: Adriano
Roberta Spagnuolo: Maria
Livio Beshir: Mustafà
Nick Nicolosi: school headmaster
Alessandro Procoli: Mosque leader
Alessandro Sanguigni: Cameo

Music :
The music was composed and performed by the italian post-rock band Mokadelic and was recorded entirely at the famous Forum Music Village studios in Rome.
Critical response :
Variety called it "slick, with a driving rhythm and plenty of action", but was troubled by the way it celebrated sadism and vigilantism.Cinealliance likewise found it powerful, with an intelligent and story effective direction, and despite fascist overtones.Filmosphere gave it 3.5/5.
Viewers Comments :
4 June 2012 | by mysteryman7162 (Thailand)
A.C.A.B is a phrase I grew up with in the U.K in the early eighties and was often seen tattooed on the fingers, necks and one time forehead of skinheads. I was intrigued to see it being used in Italy, that drew me to see the film.
A.C.A.B the film centers on the exploits of small group of riot police in Rome.I found it to be very well paced, realistic though budgetary constraints made the riot scenes seem a little under populated. The characters were well developed and the action scenes well directed. 
There was a lot of racism in the film and the direction is kind of ambivalent about it.
To conclude I would urge you to watch this film and form you own opinion.

A.C.A.B.: All Cops Are Bastards

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